Three sites in the old town: the castle, the cinema where Fellini fell in love with film, and the square between them
Castel Sismondo • Palazzo del Fulgor • Piazza Malatesta
Explore → Get Early AccessCastle, cinema and square, all walkable
Inaugurated 19 August, over 13.5m euro
Longer if you sit down in the Fulgor
Except public holidays
This is not a museum of Fellini's films. It is a museum of how he thought, and it is built inside a fifteenth century fortress, which turns out to suit him. A suspended Christ under a timber roof, a wall of projected faces along the brickwork, a truck parked indoors on a strip of real asphalt. You walk through the sets rather than past the objects.
The museum opened on 19 August 2021 at a final cost of over 13.5 million euro, and it is spread across three places rather than gathered into one. Its own ticket names them: Castel Sismondo, Piazza Malatesta and the Palazzo del Fulgor. The buildings were fitted out by the architect Orazio Carpenzano with Studio Tommaso Pallaria, the immersive multimedia work is Studio Azzurro's, and the Fulgor reopened with sets designed by Dante Ferretti, who has won three Oscars. Marco Bertozzi and Anna Villari curated it.
In 1960 the psychoanalyst Ernst Bernhard encouraged Fellini to write down and draw his dreams. He kept it up for about thirty years across several volumes, and the museum reproduces the pages at a scale you can read across a room. The sheets on show are dated: a dream of 29 October 1961, another of 12 November, another from October 1975.
The museum is inside a fifteenth century fortress and the designers used it: brick vaults, a timber roof, a curved wall. A figure hung from the beams, faces projected along the brickwork, a truck parked indoors on a strip of real asphalt. One room is furnished as a library, modelled on the one in Fellini’s own house and meant, in the museum’s words, as a place to stop for a moment.







Almost everything here is from Fellini’s Casanova, designed by Danilo Donati, who won the Academy Award for its costumes. The mechanical bird was built from a drawing by Fellini himself.





In 1960 the psychoanalyst Ernst Bernhard encouraged Fellini to write down and draw his dreams. He did it for about thirty years, and the museum reproduces the pages at a scale you can read across a room.
The cinema Fellini went to as a boy and put into Amarcord, in an eighteenth century palazzo. Dante Ferretti designed the interiors it wears now. There is a rhinoceros on a boat outside it.
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